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1925 Steinmeyer-orgel Berlin (HW6)

715,00
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!Alleen voor Hauptwerk 6 - For Hauptwerk 6 only!

Short Introduction and History

The completely original surviving large 71-stop Steinmeyer post-romantic organ, op. 1400, built in 1925, is a worldwide unique instrument of this organ builder and this era.

It was designed by the Berlin concert organist Otto Dunkelberg, who later worked as an organist of the giant organ of the Passau cathedral, and and is considered the smaller sister and predecessor of what was then the world's largest church organ.

The organ, which survived WWII as one of the few Berlin instruments and the demolition or modification in the course of the neo-baroque phase, shows features of the Alsatian organ reform according to Rupp-Schweitzer and also, due to Steinmeyer's American contacts, has characteristics of these instruments, such as larger manual and pedal sizes, extensive sub- and supe- octave couplers, string choirs, etc.

The disposition allows the interpretation of German, French and Anglo-American music from the 19th century to modern, as well as older music in the taste of the early 20th century.

Until a few years ago, becoming almost unplayable due to wear and church climate influences, it was extensively restored during three years of work and was inaugurated again in 2018. One of the few surviving large Steinmeyer organs from this era has risen again.

The Ss. Corpus Christi Church has a reverberation time up to 6 s.

Specification

Organ Temperament:  Equal (actually a1=438 Hz)

Manual I  (C–c4)

01. Prinzipal (Prosp.) 16’
02. Großflöte 16’
03. Prinzipal major 8’
04. Violoncello 8’
05. Dolce 8’
06. Gedeckt 8’
07. Doppelflöte 8'
06. Oktav 4’
07. Viola 4’
09. Rohrflöte 4’
10. Oktav 2’
12. Kornett 3-5fach 8’
13. Rauschquinte 2f. 2 2/3’
14. Mixtur 4-6fach 2’
15. Cimbel 3fach 1’
16. Trompete 16’
17. Tuba 8’
18. Große Glocken E, G-g1

Couplers:
II-I
III-I
Super I
Super II-I
Super III-I
Sub II-I
Sub III-I
Melodie II-I
Melodie III-I

Manual II  (C–c4)

01. Bordun 16’
02. Prinzipal minor 8’
03. Gamba 8’
04. Gedeckt 8’
05. Quintatön 8’
06. Wienerflöte 8’
07. Unda maris 8’
08. Kleinprinzipal 4’
09. Traversflöte 4’
10. Salizet 4’
11. Piccolo 2’
12. Sexquialter 2f. 2 2/3’
13. Progressio 3-5fach
14. Klarinette 8’
15. Waldhorn 8’
Tremulo

Couplers:
III-II
Super II
Super III-II
Sub III-II

Manual III  (C–c4)

01. Stillgedeckt 16’
02. Hornprinzipal 8’
03. Gemshorn 8’
04. Aeoline 8’
05. Vox coelestis 8’
06. Lieblichgedeckt 8’
07. Konzertflöte 8’
08. Prestant 4’
09. Violine 4’
10. Fernflöte 4’
11. Flautino 2’
12. Nasard 2 2/3’
13. Terz 1 3/5’
14. Septime 1 1/7’
15. None 8/9’
16. Campanella 4fach 2’
17. Fagott 16’
18. Feldtrompete 8’
19. Oboe 8’
20. Klarine 4’
21. Vox humana 8’
Tremulo

Couplers:
Super III
Sub III

Pedal (C–g1)

01. Principalbass 32'
02. Principalbass 16'
03. Violon 16'
04. Subbass 16'
05. Oktavbass 8’
06. Gedecktbass 8’
07. Choralbass 4’
08. Quintbass 10 2/3’
09. Pedalkornett 3 1/5’
10. Mixturbass 4f 2 2/3’
11. Bombarde 32’
12. Posaune 16'
Transmissions:
13. Echobass 16’
14. Gambenbass 8’
15. Fagottbass 16’
16. Trompete 8’
17. Bassklarine 4’

Couplers:
I-P
II-P
III-P
Super I-P
Super III-P
Super P

All ranks are original 1925 Steinmeyer (voicing),
except missing three ranks, included up to 1943(!) by Steinmeyer

Membrane chests, electro-pneumatic tracker action

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