Domorgel Billerbeck - Orgelbau Fleiter
Deze sampleset is normaalgesproken alleen via een download-link verkrijgbaar. Voor een meerprijs kunt u hem op een USB-stick verkrijgen.
This sample set is normally only available via a download link. You can get it on a USB-stick for an additional charge.
The neo-gothic cathedral of Billerbeck (Germany), dedicated to the honor of St. Ludger, was built in 1892–98. At that time, only a small organ was supplied because of the lack of funds. The organ had 32 stops and was built by Friedrich Fleiter from Münster. The historic organ case is still preserved today. In 1948, the organ was enlarged to 42 stops. The original two-manual organ console was re-used in the church of Aulendorf, where it remains today.
In 2001, an association of friends and supporters of the St. Ludger organ was founded and funds were raised for the construction of a new, large instrument. In 2008, Orgelbau Fleiter began to construct the organ, which was built in several stages and completed in 2014. Orgelbau Friedrich Fleiter was established in 1872 in Münster, and it has supplied numerous organs to churches of the Münster area for the past 150 years. Since 2007 the company is directed by Eberhard Hilse, who was the designer of the present Billerbeck organ. The instrument has 72 speaking stops distributed across four manuals and pedal.
The organ has been designed predominantly in the French symphonic style, although it incorporates elements from other traditions so that the result is an eclectic universal organ. It has five divisions: four manuals and pedal. The Hauptwerk and Chamadenwerk are located in the organ case on the right side (north side). The Schwellwerk is in the case on the left (south side). The Pedal sits at the back, behind both the historical cases and offers, among other stops, three 32' voices. The Rückpositiv on the balustrade of the organ gallery is enclosed in a swell box and contains 12 voices of mixed (French and German) traditions. The Hauptwerk and Schwellwerk voices were inspired by the French style of voicing developed by A. Cavaillé-Coll. The flutes of the Schwellwerk, including the mutations (aliquotes), are made of overblowing pipes. The Chamadenwerk offers solo stops in addition to the en chamade trumpets, namely the Vox Ludgeri, a clarinet-like reed, and the Flûte harmonique.
The samples are offered in 48kHz/24bit resolution. The multiple releases have three levels: short, mid and long. Hauptwerk v. 4.2 and higher supported (incl. HW5). The sample set is offered in a plain wave format, no encryption.
The reverb time up to 6.5 seconds.
The original compass of the keyboards is 58 keys (C–a3). It was extended in Hauptwerk to 5 full octaves C-c4 . The original compass of the pedal division is 32 keys (C-g1).
All ranks were recorded with and without tremulants where available for the most convincing tremulant behavior. However, loading the authentic tremmed ranks consumes large amount of RAM. It is possible to select to use the artificial tremulant instead to save RAM (the switch is located on the mixer tab).
RAM consumption: 6-channel surround
- 16-bit, other settings default: 46 GB
- 20-bit, other settings default: 79 GB
- 24-bit, other settings default: 86 GB
RAM consumption: 6-channel surround - tremmed ranks disabled
- 16-bit, other settings default: 29.9 GB
- 20-bit, other settings default: 52.7 GB
Screen resolution 1280x1024 px or more.
Polyphony of 6000 voices recommended for the full suround (4000 pipes minimum).
The sample set is offered in a Surround variant (6 channels). There are four front channels and two rear channels. The front and rear audio channels can be mixed or used separately - depending on the preferences of the user. A dedicated "mixing desk" is available in Hauptwerk to mix the sound to the desired level.
To reproduce the surround format, an audio card with at least 4 output channels is required, dedicating the front channels tothe front speakers, and the rear channels to the rear speakers.